AP Music Theory:: Unit 4 - Harmony Voice Leading Cadences

Which harmonic function rule, cadence type, phrase structure, or voice-leading law is described below?

*Tonic (T - stability/home), Predominant / Subdominant (PD - preparation/motion), Dominant (D - maximum tension/instability).*

**A)** Tonic (T), Predominant (PD), Dominant (D)
**B)** Major, Minor, Diminished
**C)** Exposition, Development, Recapitulation
**D)** Root, Third, Fifth

Which harmonic function rule, cadence type, phrase structure, or voice-leading law is described below?

*I and vi (and occasionally iii) providing harmonic resolution and resting stability.*

**A)** I and vi (Tonic Family)
**B)** IV and ii (Predominant)
**C)** V and vii° (Dominant)
**D)** ii and V

Which harmonic function rule, cadence type, phrase structure, or voice-leading law is described below?

*V, V7, and vii° containing the leading tone (^7) that demand resolution to tonic I.*

**A)** V, V7, vii° (Dominant Family)
**B)** IV, ii, ii7 (Predominant)
**C)** I, vi (Tonic)
**D)** iii, vi

Which harmonic function rule, cadence type, phrase structure, or voice-leading law is described below?

*IV, ii, ii7, and IV7 that prepare and lead into the dominant V chord.*

**A)** IV, ii, ii7 (Predominant Family)
**B)** V, vii° (Dominant)
**C)** I, vi (Tonic)
**D)** iii, vii°

Which harmonic function rule, cadence type, phrase structure, or voice-leading law is described below?

*The foundational grammar of Western tonal music: Tonic -> Predominant -> Dominant -> Tonic.*

**A)** Tonic -> Predominant -> Dominant -> Tonic (T-PD-D-T)
**B)** Dominant -> Predominant -> Tonic
**C)** Predominant -> Tonic -> Dominant
**D)** Tonic -> Dominant -> Predominant

Which harmonic function rule, cadence type, phrase structure, or voice-leading law is described below?

*An ungrammatical backward motion moving from a Dominant chord directly to a Predominant chord (e.g., V -> IV or V -> ii in root position).*

**A)** Retrogression (D -> PD, e.g., V -> IV)
**B)** Harmonic Progression
**C)** Cadential Resolution
**D)** Elision

Which harmonic function rule, cadence type, phrase structure, or voice-leading law is described below?

*A cadence ending with a Dominant chord moving to Tonic (V -> I or V7 -> I), providing strong harmonic closure at the end of a phrase.*

**A)** Authentic Cadence (V -> I)
**B)** Plagal Cadence (IV -> I)
**C)** Half Cadence (-> V)
**D)** Deceptive Cadence (V -> vi)

Which harmonic function rule, cadence type, phrase structure, or voice-leading law is described below?

*The strongest cadence: V(7) -> I where both chords are in root position AND the soprano voice ends on tonic scale degree ^1.*

**A)** Perfect Authentic Cadence (PAC: Root position V->I with ^1 in Soprano)
**B)** Imperfect Authentic Cadence (IAC)
**C)** Half Cadence
**D)** Plagal Cadence